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Kylie Minogue Stuns in Saudi Label Ashi Studio to Mark Release of New Album

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Pop sensation Kylie Minogue knows how to make a sartorial statement. The Australian singer is known for her dazzling style, so it’s no surprise that she looked to Saudi Arabian couture label Ashi Studio to mark the release of her ner album Disco.

“Australia’s pop princess” is now making the transition from pop sensation to disco diva, with the launch of her 15th studio album which will focus on Minogue’s musical rebirth following her iconic performance at the Glastonbury festival in 2019. Marking the launch of her upcoming album, Minogue joined forces with the Guardian for a glittering photoshoot with photographer Jens Langkjaer and an interview.

Kylie Minogue in Ashi Studio

Kylie Minogue wears Ashi Studio to celebrate the release of her album Disco, photographed by Jens Langkjaer. Photo: Instagram/ @ashistudio

The 52-year-old hitmaker looked stunning in an all-white feather couture jumpsuit by the Saudi label. Minogue posed in front of a sparking wall which served as the perfect backdrop to complement Saudi-born designer Mohammed Ashi‘s spectacular design.

The release of her new album marks the opportunity for Minogue to make history because if Disco reaches number one in the UK, the princess of pop will be the first, and only female artist to top the UK album chart in five consecutive decades, an achievement only met by the Beatles legends Sir Paul McCartney and John Lennon, as well as English singer-songwriter Paul Weller.

Regional fashion house Ashi Studio has long been a favorite among stars across the world, most recently Hollywood actor Billy Porter who looked magnificent in a custom-made ensemble by the Beruit-based label for the digital Emmy Awards in September. Ashi is known for his empowering designs and take on modern elegance and classic style. The founder and creative director of Ashi Studio will be offering his expertise to regional designers as he joins the jury panel of the 2020 Vogue Fashion Prize, Powered By NEOM.

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